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Winden
— winding in the bind
The art of staying on their steel. The hilt rolls around the bind while the point keeps the line.
Liechtenauer counts twenty-four windings from the four bindings of the long sword. The principle is one: never leave the bind without a reason. You roll the hilt — over, under, across — so the point keeps threatening, while the leverage of the cross changes against their blade. If they yield, the point thrusts; if they push, you wind in the other direction; if they leave the bind, you cut into the empty line. The Italian masters draw the same logic in the zogho largo: a single arrested moment in which the crowned figure has already won.
Branches of the play
Hover or focus a branch to glimpse the next folio. Click to advance the play.